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Canon EOS C70 Instruction Manual
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Canon EOS C70 Instruction Manual

Digital cinema camera
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PUB. DIE-0551-000
Digital Cinema Camera
Instruction Manual

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  • Page 1 PUB. DIE-0551-000 Digital Cinema Camera Instruction Manual...

  • Page 2: Safety Instructions

    Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING Denotes the risk of serious injury or death. •...
  • Page 3 CAUTIONS Follow the cautions below. Otherwise physical injury or property damage may result. • Strap is intended for use on the body only. Hanging the strap with any product attached on a hook or other object may damage the product. Also, do not shake the product or expose the product to strong impacts. This may cause injury or damage to the product.

  • Page 5: Table Of Contents

    Table of Contents Safety Instructions 2 3. Recording 41 Recording Video and Photos 41 1. Introduction 9 Recording 41 About this Manual 9 Onscreen Displays 43 Conventions Used in this Manual 9 Reviewing a Recording 47 Supplied Accessories 10 Adjusting Camera and Recording Settings 49 Names of Parts 11 Performing Basic Settings with Direct Touch Camera 11...
  • Page 6 Manual Focus 70 Recorded 97 One-Shot AF 72 Using Metadata 98 AF-Boosted MF 73 Setting a User Memo Created with Canon XF Continuous AF 73 Utility 98 Changing the AF Frame Type and Position 75 Entering Slate Information About the...
  • Page 7 File Operations 123 Configuring Connection Settings 140 File Menu Operations 123 Activating a Network Connection 140 Displaying Clip Information 124 Adding a New Connection Setting Using the Adding $ Marks or % Marks 125 Wizard 141 Deleting $ Marks or % Marks 125 Function Settings 141 Other Connection Methods 144 Adding/Deleting Shot Marks 125...

  • Page 9: Introduction

    Introduction About this Manual Thank you for purchasing the Canon EOS C70. Please read this manual carefully before you use the camera and retain it for future reference. Should the camera fail to operate correctly, refer to Troubleshooting (A 182).

  • Page 10: Supplied Accessories

    Supplied Accessories Supplied Accessories The following accessories are supplied with the camera. For accessories sold separately, please refer to Optional Accessories (A 197). Unless indicated otherwise, accessories mentioned in this manual are the ones supplied with the camera. CA-CP200 L Compact Power Adapter CG-A20 Battery Charger BP-A30 Battery Pack Handle Unit...

  • Page 11: Names Of Parts

    Names of Parts Names of Parts Camera 13 14 1 ND FILTER +/– buttons (A 61) 5 Air intake vent (A 39) 2 WB (white balance) button (A 66)/ 6 INPUT 1/INPUT 2 terminals (A 88) Assignable button Camera 1 (A 105) 7 MIC (microphone) terminal (A 88) 3 Å...
  • Page 12 Names of Parts 1 Strap mounts 2 Exhaust ventilation outlet (A 39) Insert the end of the SS-1200 Shoulder Strap from 3 ONE-SHOT AF (focus automatically once) button the top of the strap mount and pull it from the (A 72)/ exhaust ventilation outlet to attach it to the Assignable button Camera 10 (A 105) camera.
  • Page 13 Names of Parts Lens mount 1 REC (start/stop recording) button (A 41) 3 Front control dial (A 59, 62) 2 Grip belt 4 RF lens mount index (A 26) Adjust the grip belt so that you can reach the REC 5 Built-in microphone (A 89) button with your index finger but still have a 6 Power indicator (green)/Tally lamp (red) (A 41)
  • Page 14 Names of Parts 15 16 1 LCD monitor (A 21) 8 Audio level dials for CH1 (top) and CH2 (bottom) 2 INPUT 1 (top) / INPUT 2 (bottom) switches (A 91) (audio source selection, A 89) 9 Audio level switches for CH1 (top) and CH2 3 PUSH AUTO IRIS (momentary automatic aperture) (bottom) (A 90) button (A 64)/...
  • Page 15 Names of Parts 1 Tape measure hook and focal plane mark 5 SLOT SELECT (card selection) button (A 33, Use the hook to accurately measure the distance 120) from the focal plane. 6 SD CARD access indicator: (A 32) 2 Accessory shoe with socket for 1/4"-20 mounting 7 Power cord clamp (unplugging prevention) screws (9.2 mm (0.36 in.) deep) (A 20)

  • Page 16: Handle Unit

    Names of Parts Handle Unit (A 29) 1 Cable clamp 4 Sockets for the microphone holder (A 30) 2 Locking knob 3 Accessory shoe Microphone Holder (A 30) 1 Microphone lock screw 3 Screw hole for the shoe mount bracket 2 Microphone holder 4 Microphone cable clamp...

  • Page 17: Preparations

    Preparations Preparing the Power Supply You can power the camera using a battery or a power outlet. Even when a battery is attached, if the camera is connected to a power outlet, it will not draw power from the battery. Using a Battery You can power the camera using the BP-A30 Battery Pack or the BP-A60 Battery Pack.
  • Page 18 Preparing the Power Supply NOTES • We recommend charging the battery in temperatures between 10 ºC and 30 ºC (50 ºF and 86 ºF). Outside the temperature range of 0 ºC to 40 ºC (32 ºF to 104 ºF), charging will not start. •...

  • Page 19: Using A Power Outlet

    Preparing the Power Supply Checking the Remaining Battery Charge When the camera is turned on, you can check the approximate remaining battery usage time (in minutes) by looking at any recording/playback screen or the [B System Setup] status screen (A 178). You can also check the approximate charge level on the battery itself.
  • Page 20 Preparing the Power Supply Preventing the accidental unplugging of the power cord Pass the power cord through the clamp at the bottom of the camera as shown in the illustration to prevent the accidental unplugging of the DC plug. Checking the Voltage Level of the Power Source The voltage level appears on the screen (A 43).

  • Page 21: Using The Lcd Screen

    Using the LCD Screen Using the LCD Screen This section explains how to adjust the LCD monitor. You can adjust the direction of the screen as shown below, as well as image settings such as brightness or contrast. Additionally, you can use the touch screen to select the subject or perform a variety of settings using direct touch control (A 49).

  • Page 22: Date, Time And Language Settings

    Date, Time and Language Settings Date, Time and Language Settings Setting the Date and Time You will need to set the date and time on the camera the first time you power it on, or after the camera's settings have been reset. The [Date/Time] screen will appear automatically when the camera’s clock is not set. Refer to Using the Menus (A 23) for instructions on how to operate the menus.

  • Page 23: Using The Menus

    Using the Menus Using the Menus Many of the camera’s functions can be adjusted using the menus. In CAMERA mode, you can also register frequently used menu settings in a customized menu (My Menu) for easy access. For details about the available menu options and settings, refer to Menu Options (A 163).

  • Page 24: Using The Customized Menus (My Menu)

    Using the Menus 3 Press the joystick or the SET button to confirm your selected setup menu. • The cursor moves to the first item on the first page of the selected setup menu. • You can also push the joystick down to move the cursor to the list of menu items. •...
  • Page 25 Using the Menus 3 Select [OK]. • The menu setting you registered will now appear under the currently selected My Menu set. Rearranging Menu Settings 1 Select > [¥ My Menu] > Desired menu page > [Edit] > [Move]. 2 Select the menu setting you want to move. •...

  • Page 26: Preparing The Camera

    Preparing the Camera Preparing the Camera This section details how to prepare the camera for the first time, including how to mount and remove lenses and the handle unit. Examples of Camera Configurations Your camera allows you to build the shooting configuration that best fits your needs and shooting conditions. For details on the optional accessories compatible with this camera, refer to Optional Accessories (A 197) and the Cinema EOS System Expansion User Guide (PDF file).
  • Page 27 • You can use the EF-EOS R 0.71x Mount Adapter to attach a compatible EF lens to the camera and shoot video with an angle of view equivalent to full frame. Additionally, you can use autofocus, peripheral illumination correction and chromatic aberration correction. For details on compatible lenses, visit your local Canon website.

  • Page 28: In-Camera Lens Correction

    1 Download the lens/mount adapter firmware update file from the Canon website and save it on the root directory of an SD card. Insert the SD card containing the firmware update into the camera's SD card slot B (A 32).

  • Page 29: Attaching The Handle Unit

    • If correction data is not available, [Periph. Illum. Corr.] or [Chromatic Aberr. Corr.] will appear grayed out. Visit your local Canon website and check if there is correction data available for the lens you are using. If so, download the necessary update package, update the camera’s firmware version and repeat the procedure from the beginning.

  • Page 30: Attaching The Microphone Holder

    Preparing the Camera Attaching the Microphone Holder To the Right Side of the Handle Unit 1 Attach the microphone holder to the handle unit. 2 Use a commercially available Phillips head (“crosshead”) screwdriver to secure it firmly with the 2 M4 bolts. To an Accessory Shoe (Handle Unit or Camera) 1 Insert the part of the shoe mount bracket with the screw through the mounting hole on the microphone holder, from below ( ).

  • Page 31: Preparing Recording Media

    * The SD card is used also to save/read other files such as custom picture files. Compatible Recording Media The following types of memory card can be used with this camera. For the latest information about recording media tested for use with this camera, visit your local Canon website. SD cards SD card type:...

  • Page 32: Inserting And Removing An Sd Card

    Preparing Recording Media Inserting and Removing an SD Card 1 Wait until the SD CARD access indicator is off or is illuminated in green. 2 Open the card compartment cover. 3 Insert the card straight, with the label facing the side opposite to the lens, into the SD card slot until it clicks.

  • Page 33: Setting A Card's Volume Label

    [Canon]: The card’s volume label will be “CANON” regardless of the clip file name settings. [Canon + Metadata]: The card’s volume label will be “CANON”, plus the camera index number and the reel number (A 37). Switching Between Card Slots If both slots contain a card, you can switch the card used for recording/playback as necessary.

  • Page 34: Recovering Recordings

    Preparing Recording Media Recovering Recordings Some actions, such as suddenly turning off the camera or removing the card while data is being recorded, can cause data errors in the recorded file. You may be able to recover recordings with corrupted data using the following procedure.

  • Page 35: Selecting The Video Recording Method

    Selecting the Video Recording Method Selecting the Video Recording Method This camera features various recording modes, as well as video recording methods using two cards. You can also stream the audio/video while recording it on a card (A 154). Below is an overview. For details, refer to each function’s section.
  • Page 36 Selecting the Video Recording Method NOTES • It is not possible to switch between card slots when proxy recording, sub recording or continuous recording is activated. • If a card becomes full during double slot recording, recording on both cards will stop. On the other hand, if an error occurs with one of the cards, recording will continue on the other card.

  • Page 37: Setting The File Name For Recordings

    Setting the File Name for Recordings Setting the File Name for Recordings This section explains how to set the file names for XF-AVC clips, MP4 clips and photos. XF-AVC Clips File Names The camera allows you to change several settings that determine the clip file name of recorded XF-AVC clips (only in CAMERA mode).

  • Page 38: Mp4 Clip And Photo Numbering

    Setting the File Name for Recordings To set the reel number or initial clip number 1 Select > [Æ Recording/Media Setup] > [Metadata] > [Reel Number] or [Clip Number] > [Change]. • To return to initial settings, select [Reset] instead. 2 Enter the reel/clip number using the data entry screen (A 25).

  • Page 39: Using The Fan

    Using the Fan Using the Fan The camera uses a cooling fan to lower the camera’s internal temperature. In CAMERA mode, you can change the fan’s operation mode and speed. In MEDIA mode, the fan runs at all times but you can select its speed. Setting the Fan’s Operation in CAMERA Mode 1 Select >...

  • Page 40: Adjusting The Black Balance

    Adjusting the Black Balance Adjusting the Black Balance In CAMERA mode, you can have the camera adjust the black balance automatically when ambient temperature changes considerably or if there is a noticeable change in a true black video signal. 1 Attach the body cap to the lens mount and set the camera to CAMERA mode. •...

  • Page 41: Recording

    Recording Recording Video and Photos This section explains the basics of recording clips* and photos. For details on recording audio, refer to Recording Audio (A 87). * “Clip” refers to a single movie unit recorded with a single recording operation. You can also include metadata with the clip. Recording Power indicator/ Tally lamp...
  • Page 42 Recording Video and Photos IMPORTANT • Be sure to save your recordings regularly, especially after making important recordings. Canon shall not be liable for any loss or corruption of data. NOTES NOTES • If you record using metadata settings, those settings will be recorded with the (XF-AVC) clip. For more details, refer to Using Metadata (A 98).

  • Page 43: Onscreen Displays

    Recording Video and Photos Onscreen Displays Refer to this section for an explanation of the various screen displays that appear in CAMERA mode. You can use the custom display function ( 167) to turn off individual onscreen displays if they are not required. The menu item that controls each display is given in the following tables (1: indicates a menu item under [Custom Display 1] and 2: indicates a menu item under [Custom Display 2]).
  • Page 44 Recording Video and Photos Left side of the screen Icon/Display Description Custom Display 0000 mm Approximate focal length of the lens. 1: [Focal Length] 000.0 m Object distance (numeric). 1: [Object Distance (Numeric)] • Only when an RF lens or certain EF Cinema lenses are attached. Focus mode (A 69).
  • Page 45 Recording Video and Photos Icon/Display Description Custom Display Double slot recording (A 35). 2: [Recording Mode] Recording operation Ü STBY, Clip recording: record standby, recording. S&F STBY, Slow & fast motion recording (A 100): record standby, recording. Ü S&F PRE STBY, Pre-recording (A 101): record standby, recording.
  • Page 46 Recording Video and Photos Bottom and center of the screen Icon/Display Description Custom Display Object distance (bar). 1: [Object Distance (Bar)] • Only when an RF lens is attached to the camera. Direct touch control (A 49) – A001C001 to Z999D999 Clip identification.

  • Page 47: Reviewing A Recording

    Recording Video and Photos NOTES NOTES • The zebra pattern and false color display will appear on the screen regardless of the selected display level. • You can change the transparency level of onscreen displays (A 129). Peripheral Border Display You can apply the peripheral border display to all display levels.
  • Page 48 Recording Video and Photos 3 After you finish recording a clip, press the assignable button. • The last clip that was recorded is played back for the selected duration. [Ð REVIEW] appears on the screen. • There will be no sound from the built-in speaker but the audio will be output from the × (headphone) terminal and HDMI OUT terminal.

  • Page 49: Adjusting Camera And Recording Settings

    Adjusting Camera and Recording Settings Adjusting Camera and Recording Settings Using direct touch control, you can perform a variety of settings (camera, recording, assistance functions, etc.) in CAMERA mode. White balance and exposure related settings can also be modified with the direct setting mode, using the FUNC button.

  • Page 50: Direct Setting Mode (Func Button)

    Adjusting Camera and Recording Settings Changing Camera Settings 1 Touch the setting you want to adjust, then select the desired value/ setting. • Once the settings menu is displayed, touch to select the desired value/setting as needed. • When the slider appears, drag the slider left/right or touch the buttons to adjust the desired value.
  • Page 51 Adjusting Camera and Recording Settings NOTES NOTES • The camera will automatically end the direct setting mode in the following cases. - If no operation was performed for more than 6 seconds. - If the FUNC button is pressed while selecting the shutter speed. - If the menu or a status screen was opened.

  • Page 52: Video Recording Configuration: Video Format

    Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate When recording media, you can set the video configuration used for primary clips with the following procedures. Select the sensor mode, main recording format (video format, color sampling, bit depth), primary resolution/bit rate and frame rate settings that best match your creative needs.

  • Page 53: Selecting The System Frequency

    Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate Selecting the System Frequency You can change the system frequency also in MEDIA mode if you want to play back clips from a card recorded with a different system frequency setting. 1 Select >...

  • Page 54: Sub Recording Clips

    Sub Recording Clips Sub Recording Clips While recording a primary clip on an SD card A, you can simultaneously record the same scene on SD card B. See the following table for more details on the video configuration for sub recording clips. For more details on audio, see Recording Audio (A 87).
  • Page 55 Sub Recording Clips Video configuration for sub recording clips (primary clip: MP4) Video configuration of sub recording clips Primary clip Sub recording format, resolution and bit rate Main MP4 (HEVC) MP4 (HEVC) MP4 (H.264) recording Main resolution/bit rate Frame rate YCC422 10 bit YCC420 10 bit YCC420 8 bit...

  • Page 56: Proxy Clips

    Proxy Clips Proxy Clips While recording a primary clip on an SD card A, you can simultaneously record the same scene as a proxy clip (XF-AVC format) on another SD card B. Because proxy clips have smaller files, they are suitable for offline editing. You can also use direct touch control to perform this function (A 49).

  • Page 57: Shutter Speed

    Shutter Speed Shutter Speed You can set the shutter speed according to the shooting conditions. For example, you may want to set slower shutter speeds in darker environments. The camera offers the following modes. You can also perform this function remotely using Browser Remote on a connected network device (A 159). [Speed]: Allows you to set the shutter speed (in fractions of a second).
  • Page 58 Shutter Speed • Closing down the aperture when recording under bright conditions may cause the picture to appear soft or out of focus. The following measures may be effective in avoiding the loss of sharpness due to diffraction. - Using a denser ND filter (A 61). - Using a faster shutter speed.

  • Page 59: Iso Speed/Gain

    The minimum sensitivity needed to obtain the recommended dynamic range depends on the gamma curve component of the [Gamma/Color Space] setting in the custom picture file (A 113). [Canon Log 2], [Canon Log 3], or [PQ]: ISO 800 / 12 dB gain [HLG] or [BT.709 Wide DR]: ISO 400 / 6 dB gain [BT.709 Normal]: ISO 160 / –2 dB gain...

  • Page 60: Automatic Iso Speed/Gain

    The sensitivity is automatically adjusted according to the subject. You can also set a sensitivity limit. Automatic adjustment is not available when the [Gamma/Color Space] setting in the custom picture file is set to one of the [Canon Log 2] or [Canon Log 3] options, or during slow & fast motion recording. Select >...

  • Page 61: Nd Filter

    ND Filter ND Filter Using the ND filter allows you to open up the aperture to obtain a shallower depth of field even when recording in bright surroundings. You can also use the ND filter to avoid the soft focus caused by diffraction when using small apertures.

  • Page 62: Aperture

    Aperture Aperture You can affect the brightness of your recordings or change the depth of field by adjusting the aperture. Depending on the lens used, the aperture value displayed may differ (F value or T value) and available aperture values will vary as well (A 203). You can select the adjustment increment and even use the smallest iris increment allowed by the lens.
  • Page 63 Aperture Using the Control Dial/Control Ring You can also adjust the aperture settings using the control dial (after assigning the [Iris] function) or the control ring of an RF lens. 1 Select > [B System Setup] > [Front Control Dial], [Rear Control dial Control Dial] or [Control Ring] >...

  • Page 64: Momentary Automatic Aperture - Push Auto Iris

    Aperture Momentary Automatic Aperture - Push Auto Iris During manual aperture, you can press the PUSH AUTO IRIS button to have the camera temporarily take control and adjust the aperture automatically for an optimal exposure. This function is not available when slow & fast motion recording is activated. 1 Select >...

  • Page 65: Exposure Compensation - Ae Shift

    Aperture Exposure Compensation - AE Shift Use AE shift to compensate the exposure that was set using automatic aperture, in order to darken or lighten the image. You can also perform this function remotely using Browser Remote on a connected network device (A 159). 1 Select >...

  • Page 66: White Balance

    White Balance White Balance The camera uses an electronic white balance process to calibrate the picture and produce accurate colors under different lighting conditions. The camera offers the following ways to set the white balance. You can also perform this function remotely using Browser Remote on a connected network device (A 159). Custom white balance: You can use a gray card or white object with no pattern to establish the white balance and set it to one of two custom white balance positions, ÅA or ÅB.

  • Page 67: Custom White Balance

    White Balance Custom White Balance Å Å 1 Select the A or B icon (A 66). • To apply the stored custom white balance setting as is, the rest of the procedure is not necessary. To set a new custom white balance, continue the procedure.

  • Page 68: Auto White Balance (Awb)

    White Balance NOTES NOTES • You can use the > [v Camera Setup] > [C. Temp. Increment] setting to change the units for the color temperature increment to [Mired] (5-mired increments) or [Kelvin] (100-kelvin increments). Even when [Mired] is selected, the color temperature is converted to and displayed in kelvins. Changing this setting may change the white balance setting.

  • Page 69: Focus

    Focus Focus The camera offers the following ways to focus, depending on the lens used. The camera incorporates Dual Pixel CMOS AF technology for advanced autofocus performance with compatible lenses. Refer to the list of compatible lenses and functions that can be used (A 203). You can also adjust the focus remotely using Browser Remote on a connected network device (A 158).

  • Page 70: Manual Focus

    Focus Manual Focus Focus manually using the focus ring on the lens. 1 Select > [ Camera Setup] > [AF Mode] > [One Shot]. • You can set the lens’s focus mode switch to manual (A 69). 2 Turn the focus ring to adjust the focus. NOTES NOTES •...
  • Page 71 Focus 3 Adjust the focus manually as necessary. • When the focus guide turns green, the subject is correctly focused. Focus farther Focus farther In focus Focus closer Focus closer Cannot determine (large adjustment) (small adjustment) (in green) (small adjustment) (large adjustment) adjustment NOTES...

  • Page 72: One-Shot Af

    Focus 2 If necessary, use the joystick to move around the magnification frame and check other parts of the image. • You can also drag your finger across the LCD screen to move the frame. • Press the CANCEL button to return the magnification frame to the center position. •...

  • Page 73: Af-Boosted Mf

    - With some lenses, the camera may take longer to focus automatically or may not be able to focus correctly. Visit your local Canon website for the latest information. • Depending on the lens, you can change various aspects of the autofocus function with the following settings.
  • Page 74 Focus • Autofocus will not work in the following cases. - When slow & fast motion recording is activated, if using lenses not compatible with autofocus. - When the shooting frame rate in slow & fast motion recording is not set to 24, 25, 30, 48, 50, 60,100 or 120 (fps).

  • Page 75: Changing The Af Frame Type And Position

    Focus Changing the AF Frame Type and Position You can change the type and position of the AF frame that appears on the screen (except for the face detection/ tracking frame) while using one of the autofocus functions. 1 Select >...
  • Page 76 Focus Face AF operation by AF mode > [ Camera Setup] > [Face AF] > [ Camera Setup] > [Face Priority] [Face Only] [AF Mode] and focus operation Face detected No face detected Face detected No face detected [One Shot] while the ONE-SHOT AF button is not pressed Manual focus [One Shot] while the ONE-SHOT AF button is held pressed down Focus on the...
  • Page 77 Focus NOTES NOTES • The camera may start tracking the incorrect subject if there is another subject in the picture with similar color/ pattern characteristics. In that case, select the desired subject again. • Tracking cannot be used in the same cases in which face detection cannot be used.

  • Page 78: Image Stabilization

    Image Stabilization Image Stabilization You can use the image stabilizer to compensate for camera shake and achieve steadier shots. The image stabilizer is more effective at wider angles and the effect is reduced the more you approach the telephoto end. 1 Select >...

  • Page 79: Zoom

    Zoom Zoom You can use the camera to zoom when an EF Cinema lens compatible with zoom operation (A 203) or an EF lens integrated with a PZ-E1 Power Zoom Adapter is attached to the camera. You can also zoom remotely using Browser Remote on a connected network device (A 158). Zoom Modes of the Lens Use the switch on the lens to select the lens’s zoom mode (automatic, manual).

  • Page 80: Onscreen Markers, Zebra Patterns And False Color

    Onscreen Markers, Zebra Patterns and False Color Onscreen Markers, Zebra Patterns and False Color Using onscreen markers allows you to make sure your subject is correctly framed and is within the appropriate safe area. Zebra patterns help you identify areas that are overexposed. The false color overlay allows you to check if the exposure is correct.
  • Page 81 Onscreen Markers, Zebra Patterns and False Color Center Marker / Horizontal Marker / Vertical Marker / Grid Marker 1 Select > [A Assistance Functions] > [Center Marker], [Horizontal Marker], [Vertical Marker] or [Grid Marker] > Desired marker color. • Select [Off] to turn off the marker. 2 For [Center Marker] only: Select >...

  • Page 82: Displaying Zebra Patterns

    Onscreen Markers, Zebra Patterns and False Color Displaying Zebra Patterns The camera has a zebra pattern function that shows black and white diagonal stripes over areas that are overexposed. There are two types of zebra patterns and you can display both simultaneously.

  • Page 83: Setting The Time Code

    Setting the Time Code Setting the Time Code The camera generates a time code signal and records it with the recorded clips. The time code signal can be output from the TIME CODE terminal or HDMI OUT terminal. Depending on the frame rate used, you may be able to select between a drop frame an non-drop frame time code signal (A 84).

  • Page 84: Selecting Drop Or Non-Drop Frame

    Setting the Time Code Selecting Drop or Non-Drop Frame When the frame rate is set to 59.94P, 59.94i or 29.97P, you can select between a drop frame (DF) or non-drop frame (NDF) time code, depending on how you plan to use your recordings. With all other frame rates, the time code is set to non-drop frame (NDF) and cannot be changed.

  • Page 85: Synchronizing With An External Device

    Synchronizing with an External Device Synchronizing with an External Device You can use the camera’s TIME CODE terminal to synchronize this camera’s time code to an external signal. Using the same external time code signal with multiple cameras allows you to set up a multi-camera recording. You can also output the time code signal from this camera to other cameras.

  • Page 86: Time Code Signal Output

    Synchronizing with an External Device • Performing any of the following actions while the cable is not connected will cause the synchronization to be disrupted; the correct time code will be restored once you reconnect the cable. - Turning the camera on/off - Switching to MEDIA mode - Changing the video configuration Time Code Signal Output...

  • Page 87: Recording Audio

    Recording Audio Recording Audio The camera features the following options for audio recording and playback. You can record audio using an external microphone/line-in device (INPUT terminal), an external microphone (MIC terminal), or the built-in microphone. The audio signal will be output with the video signal from the HDMI OUT terminal. You can record the audio signal on an external recorder.

  • Page 88: Audio Format For Mp4 Clips

    Recording Audio Audio Format for MP4 Clips Select the audio recording format for MP4 clips (primary clips or sub recording clips). Select > [ÆRecording/Media Setup] > [Main Audio Format (MP4)] or [Sub Audio Format (MP4)] > Desired option. Connecting an External Microphone or External Audio Input Source to the Camera To each of the INPUT terminals you can attach commercially available microphones or analog line in sources with a Mini XLR connector.

  • Page 89: Selecting The Built-In Microphone Mode

    Recording Audio IMPORTANT • Do not connect or disconnect microphones and other audio devices from any INPUT terminal when the corresponding INPUT (audio source selection) switch is set to the MIC+48V position. This may damage the camera and/or device. Selecting the Input Type for the INPUT 1/INPUT 2 Terminals Change the position of the corresponding INPUT (audio source selection) switch according to the audio device connected to the INPUT 1/INPUT 2 terminals.

  • Page 90: Selecting The Audio Input Source For Audio Channels

    Recording Audio Selecting the Audio Input Source for Audio Channels You can select the audio input source that will be recorded on CH1/CH2 or CH3/CH4, independently for each pair of audio channels. For details refer to the Audio Settings and Recorded Audio Channels table (A 87). ¡...
  • Page 91 Recording Audio Manual Audio Level Adjustment for CH1, CH2 or CH1/CH2 You can set the audio level manually from – to +18 dB. CH1/CH2 audio level switches 1 Set the audio level switch of the desired channel to M (manual). 2 Turn the corresponding audio level dial to adjust the audio level.

  • Page 92: Advanced Audio Input Settings

    Recording Audio Advanced Audio Input Settings You can adjust the audio input settings for the INPUT terminals, MIC terminal, and the built-in microphone. The corresponding menu settings become available only when the respective audio input is active and the following conditions are met: INPUT terminals: INPUT 1 or INPUT 2 switch is set to MIC or MIC+48V MIC terminal: [MIC Input] is set to [MIC] or [MIC (with Power Supply)]...

  • Page 93: Monitoring The Audio With Headphones

    Recording Audio Monitoring the Audio with Headphones Connect headphones with a ∅ 3.5 mm stereo mini-plug to the × (headphone) terminal to monitor the recorded audio. × (headphone) NOTES NOTES terminal • You can adjust the headphone volume with the >...

  • Page 94: Colors Bars/Audio Reference Signal

    Colors Bars/Audio Reference Signal Colors Bars/Audio Reference Signal You can have the camera generate color bars and a 1 kHz audio reference signal and output them from the following terminals. × LCD monitor HDMI OUT terminal (headphone) terminal Ü Ü Color bars –...

  • Page 95: Video Scopes

    Video Scopes Video Scopes The camera can display a simplified waveform monitor or a vectorscope to check your recordings. The selected video scope is displayed on the screen and can be output to other monitoring devices as well. Displaying a Video Scope 1 Select >...

  • Page 96: Changing The Vectorscope Settings

    Video Scopes Options for [Type] [Line]: Sets the waveform monitor to line display mode. [Line+Spot]: The waveform of the area in the red frame is displayed in red on top of the [Line] mode waveform. [Select Line]: The selected horizontal line (in red) will be displayed along with its waveform. [RGB]: Shows 3 side-by-side waveforms in an RGB parade.

  • Page 97: Adding Marks To Clips In Camera Mode

    Adding Marks to Clips in CAMERA Mode Adding Marks to Clips in CAMERA Mode When the main recording format is set to XF-AVC, while recording, you can add shot marks (!) to flag an important shot or frame. After recording a clip, you can add an OK mark ($) or check mark (%) to help you identify particular clips.

  • Page 98: Using Metadata

    Setting a User Memo Created with Canon XF Utility Before you can add a user memo, you must first install Canon XF Utility (A 134). Next, create the user memo and then save it to an SD card. Once you insert the SD card in the camera and select the user memo, it will be added to clips you record.

  • Page 99: Entering Slate Information About The Recording

    Using Metadata Entering Slate Information About the Recording You can enter scene and take information to help identify the recording later on. Æ 1 Select > [ Recording/Media Setup] > [Metadata] > [Scene] or [Take] > [Change]. 2 Enter the desired text using the keyboard screen (A 25). •...

  • Page 100: Special Recording Modes

    Special Recording Modes Special Recording Modes The camera features the following special recording modes. Slow & fast motion recording: This mode allows you to change the shooting frame rate to achieve a slow motion or fast motion effect during playback. Recording audio in WAV format is also possible. Pre-recording: The camera will start recording a few seconds before you press the REC button.

  • Page 101: Pre-Recording

    Special Recording Modes 4 Press the REC button to begin recording. • The tally lamp changes from green (power indicator) to red. • [S&F STBY] changes to [S&F ÜREC] while recording. 5 Press the REC button again to stop recording. •...

  • Page 102: Continuous Recording

    Special Recording Modes 4 Select > [Æ Recording/Media Setup] > [Recording Mode] > [Normal Recording] to stop pre- recording. NOTES NOTES • Pre-recording will be canceled if the recording mode is changed. • About the time code when pre-recording is activated: - The time code of the clip will start a few seconds before the REC button was pressed.

  • Page 103: Using Anamorphic Lenses

    Using Anamorphic Lenses Using Anamorphic Lenses You can attach an anamorphic lens to the camera and set the anamorphic desqueeze ratio used to display the image from the camera on monitoring devices while shooting or during playback. 1 Select > [¢ Monitoring Setup] > Desired [Anamorphic:] setting > [On]. 2 Select >...

  • Page 104: Using The Rc-V100 Remote Controller

    Using the RC-V100 Remote Controller Using the RC-V100 Remote Controller You can connect the RC-V100 Remote Controller to the camera in order to control the camera (including advanced recording functions) from a distance. The remote controller lets you turn the camera on, navigate the menus and remotely control the aperture and shutter speed, change picture-related settings like the knee and sharpness, and more.

  • Page 105: Customization

    Customization Assignable Buttons The camera offers a number of assignable buttons to which you can assign various function. Assign often-used functions to the buttons you find most convenient to personalize the camera to your needs and preferences. You can find 13 assignable buttons on the camera’s body, and 4 assignable buttons on the RC-V100 Remote Controller.
  • Page 106 Assignable Buttons NOTES • You can check the [ Assignable Buttons] status screens (A 176) to see what functions are currently assigned to each button. • You can reset only the functions assigned to the assignable buttons, without affecting other camera settings, with the >...
  • Page 107 Assignable Buttons CAMERA MEDIA Function name Description mode mode Ü [Set White Balance] Starts the white balance calibration for a custom white balance setting. – Ü [AWB Lock] While using auto white balance (AWB), locks the current white balance settings. –...
  • Page 108 Assignable Buttons CAMERA MEDIA Function name Description mode mode ¡ Displays the [ Audio Setup] status screens. You can press SET to open the Ü Ü [Audio Status] [¡ Audio Setup] menu. Ü [Custom Picture] Opens the [ Custom Picture] menu. –...

  • Page 109: Custom Picture Settings

    C1: [BT.709] BT.709] on a TV monitor. [Canon Log 2 / These settings use Canon Log 2 gamma and require post-production processing. C2: [LOG2] C.Gamut] They achieve superior gradation in the shadows (dark areas of the image). These settings use Canon Log 3 gamma and require post-production processing.

  • Page 110: Editing A Custom Picture File's Settings

    - There are also other LUTs available that can be applied for processing in post-production. For the latest information on available LUTs, please visit your local Canon website. About changing custom picture related settings using the RC-V100 Remote Controller - When an RC-V100 Remote Controller is connected to the camera, you can press the remote controller’s...

  • Page 111: Look Files

    Custom Picture Settings Resetting Custom Picture Files 1 Select a custom picture file (A 109). > [/ Custom Picture] > [Edit / File] > [Reset]. 2 Select 3 Select a preset custom picture setting and then select [OK]. • The custom picture file will be reset to the selected values. Look Files You can register 3D LUT files (.cube format) created with Blackmagic Design’s DaVinci Resolve or other software as Look Files in the custom picture file.

  • Page 112: Saving A Custom Picture File

    Custom Picture Settings Deleting a Look File You can delete Look Files registered in custom picture files. 1 Select a custom picture file (A 109). > [/ Custom Picture] > [Edit / File] > [Look File Setup] > [Delete] > [OK]. 2 Select •...

  • Page 113: Available Custom Picture Settings

    Combination of gamma curve and color space settings that affects the overall look and color space of the image. Gamma curve [Canon Log 2]: Logarithmic gamma curve that obtains a richer color gradation in the dark areas of the image. Requires image processing in post-production. BT.709 Normal [Canon Log 3]: Logarithmic gamma curve that keeps the characteristics of the [Canon Log] setting BT.709 Wide DR...
  • Page 114 These settings correct the color cast in blacks. These settings are not available when the gamma [Master Black Blue] curve component of the [Gamma/Color Space] setting is set to one of the [Canon Log 2] or [Canon Log 3] options.
  • Page 115 Custom Picture Settings Menu items Options / Additional information [Sharpness] [Level] –10 to +50 (±0) Sets the sharpness level of the video output signal and the recorded signal. [Detail Frequency] –8 to +8 (±0) Sets the center frequency of horizontal sharpness. Setting higher values increases the frequency, which, in turn, increases the sharpness.
  • Page 116 Determines how the camera handles video signals exceeding 100%. This setting is not available when the gamma curve component of the [Gamma/Color Space] setting is set to one of the [Canon Log 2], [Canon Log 3], [PQ] or [HLG] options. [Through]: Leave the signal unchanged.

  • Page 117: Saving And Loading Menu Settings

    Saving and Loading Menu Settings Saving and Loading Menu Settings After you adjust settings in the various menus, you can save those settings in the camera or on SD card B. You can load those settings at a later date or on another camera of the same model so that you can use that camera in the same way.
  • Page 118 Saving and Loading Menu Settings...

  • Page 119: Playback

    Playback Playback This section explains how to play back files recorded with the camera. For details on playing back recordings using an external monitor, refer to Connecting to an External Monitor or Recorder (A 128). Displaying the Index Screen Press the MEDIA button (A 15) •...

  • Page 120: Playing Back Recordings

    Playback Switching Card Slots If both card slots contain a card, press the SLOT SELECT button to play back recordings from the other card. Switching Index Screens The clip index screen that appears when you switch to MEDIA mode depends on the current recording settings. 1 Press the INDEX button.

  • Page 121: Onscreen Displays During Clip Playback

    Playback Onscreen Displays During Clip Playback 7 8 9 1 Fan operation (A 39) and temperature warning 8 Custom picture file embedded (A 112) 9 $ mark (A 184) /% mark / Proxy clip (A 125, 56) 2 LUT (A 131) 10 Time code (A 83) 3 Output onscreen displays (A 129) 11 Video format (A 53)

  • Page 122: Clip Playback Controls

    Playback Audio (WAV) playback screen See Onscreen Displays During Clip Playback (A 121) for the description of onscreen displays that are common on all playback screens. 1 Audio file name 3 Audio level meter 2 Sampling frequency and bit depth Clip Playback Controls The following playback types are available using the joystick and onscreen joystick guide.
  • Page 123 File Operations File Operations You can perform various operations on the file selected in the index screen using the file menu. Available options will depend on the type of recording selected. File Menu Operations 1 Select the desired recording. 2 Press SET. •...
  • Page 124 File Operations Displaying Clip Information 1 Select the desired clip in the clip index screen. 2 On the file menu, select [Display Clip Info]. • The [Clip Info] screen will appear. • Push the joystick left/right to move to the previous/next clip. Press the CANCEL button to return to the index screen.
  • Page 125 File Operations Adding $ Marks or % Marks You can add an OK mark ($) or check mark (%) to XF-AVC clips to help you identify particular clips. Since clips with an $ mark cannot be deleted with the camera, you can use this mark also to protect important clips. Adding an $ Mark or % Mark During Playback You can add an $ mark or % mark to a clip during playback or playback pause.
  • Page 126 File Operations Deleting All the Shot Marks from a Clip 1 Select the desired XF-AVC clip in the index screen. 2 Press SET (file menu) and select [Del. All Shot Marks] > [OK]. • All shot marks in the selected clip are deleted. Deleting Recordings You can delete clips, photos and audio files for slow &...
  • Page 127 External Connections Video Output Configuration The video signal output from the HDMI OUT terminal, depends on the clip’s video configuration and on various menu settings. HDMI OUT Terminal Video Output Configuration (Recording/Playback) Main recording video configuration > [B System Setup] Video output configuration Main recording Resolution...
  • Page 128 Connecting to an External Monitor or Recorder Connecting to an External Monitor or Recorder When you connect the camera to an external device, be it a monitor (to monitor the recording or for playback) or an external video recorder (for recording), adjust the required settings in the menu. For details about output signals, refer to Video Output Configuration (A 127).
  • Page 129 Connecting to an External Monitor or Recorder • If the camera’s time code is being output and > [Æ Recording/Media Setup] > [Rec Command] is set to [On], you can use the camera’s REC button to control also the recording operation of an external recorder connected to the HDMI OUT terminal.
  • Page 130 1 Select > [ Monitoring Setup] > [Range: HDMI]. 2 Select [During Canon Log Output] or [During HDR Output] > Desired option. Options [Full Range Priority]: The signal output will use full range coding whenever possible but will change the range automatically according to the capabilities of the connected monitor.
  • Page 131 Available LUTs [Gamma/Color Space] [BT.709] [HDR Assist. (1600%)] [HDR Assist. (400%)] Ü Ü Ü [Canon Log 2 / C.Gamut], [Canon Log 3 / C.Gamut] Ü Ü Ü [Canon Log 3 / BT.2020] Ü [Canon Log 3 / BT.709] – –...
  • Page 132 Applying a LUT to the LCD Screen 1 Select > [¢ Monitoring Setup] > [LUT: LCD] > [On]. • The LUT is applied and the gamma curve and color space of the displayed image will change. • You can also use direct touch control (A 49). 2 Select >...
  • Page 133 Audio Output Channels Audio Output Channels The camera can output audio from the HDMI OUT terminal, × (headphone) terminal or speaker. When recording or playing back clips recorded with 4-channel audio, you can select which audio channels are output from the HDMI OUT terminal and headphones.
  • Page 134 Saving Files Use Canon XF Utility to save and organize XF-AVC clips and other recorded files on a computer. You can use the Canon XF plugins to easily use XF-AVC clips directly from Avid non-linear editing (NLE) software. The software and plugins are available as free downloads from your local Canon website.
  • Page 135 Working with Files on a Computer Saving Audio Files (WAV) Audio files in WAV format can be saved to a computer in the same way as MP4 files. Copy the desired audio files (located in the “/PRIVATE/AUDIO” folder of the SD card) to the computer.
  • Page 136 Working with Files on a Computer...
  • Page 137 (Wi-Fi) networks. Canon cannot provide support regarding network configurations. IMPORTANT • Canon shall not be liable for any loss of data or damage resulting from incorrect network configuration or settings. Additionally, Canon shall not be liable for any loss or damage caused by the use of network functions.
  • Page 138 Network functions and connection types Using a Wi-Fi Network To use a Wi-Fi network, connect a commercially available Wi-Fi adapter to the camera’s USB terminal. For more details about the Wi-Fi adapter, refer to the manufacturer’s instruction manual. Connecting Wi-Fi adapter (commercially available) USB terminal 1 Turn off the camera.
  • Page 139 Network functions and connection types Using a Wired (Ethernet) Network Connect a commercially available Ethernet adapter to the camera’s USB terminal to use a wired network with an Ethernet cable. Use Category 5e, shielded twisted pair (STP) Ethernet cables compatible with Gigabit Ethernet (1000BASE-T) and with good shielding capability.
  • Page 140 Configuring Connection Settings Configuring Connection Settings To connect to a network you will need to define in advance a connection setting (SET), which is a combination of one or two communication settings (networks, NW) and one or two network function settings (MODE). You can save in the camera up to 25 individual communication settings and function settings, and up to 20 combinations of connection settings (SET1 to SET20).
  • Page 141 Configuring Connection Settings Adding a New Connection Setting Using the Wizard You can use the wizard to set up a new connection setting. This section uses a connection to a Wi-Fi network using the WPS push button method as an example. Refer to the instruction manual of the access point for details about the location and operation of the WPS button.
  • Page 142 Configuring Connection Settings 3 Configure the destination FTP server. Select [Server] and [Port No.] > [OK]. • Enter the FTP server’s IP address or host name using the keyboard screen. Enter the port number using the data entry screen (A 25). •...
  • Page 143 Configuring Connection Settings IP Streaming This section continues the connection settings wizard (A 141). In the function settings you will configure the streaming video bit rate and resolution, the protocol used and the receiver’s settings. For details refer to the instruction manual of the decoder device or software you will use.
  • Page 144 Configuring Connection Settings Browser Remote This section continues the connection settings wizard (A 141). A user name and password are required to log in to the Browser Remote application. In the function settings you will configure up to three different users for single-user or two-user operation.
  • Page 145 Configuring Connection Settings Camera Access Point Connect a network device with the camera’s access point. Two configuration methods are available: easy connection and manual connection. 1 In the [Select a network] screen, select [Camera Access Point Mode]. 2 Select the configuration method. •...
  • Page 146 Configuring Connection Settings Detected Access Points The camera will automatically detect access points in the vicinity. After you select the desired access point, you only need to enter the selected network’s password to connect the camera. For details about the access point’s network name (SSID) and password refer to the wireless router’s instruction manual or consult the network administrator in charge of the access point.
  • Page 147 Configuring Connection Settings Offline Configuration without Connecting to a Network 1 In the [Select a network] screen, select [Configure Offline]. 2 Select the network type. • If you select [Infrastructure], continue with the procedure to enter the SSID and authentication mode, from step 2 (A 146).
  • Page 148 Configuring Connection Settings Giving a Nickname to the Camera You can give the camera a nickname that is used on network connections and network devices to make it easier to identify. Select > [ Network Settings] > [Nickname]. • Enter the desired nickname using the keyboard screen (A 25). Checking and Changing Connection Settings (SET) You can check and, if necessary, change the settings of connection settings (SET) registered in the camera.
  • Page 149 Configuring Connection Settings NOTES • A connection setting can have two communication settings (primary/secondary network) and up to two function settings (only for [IP Streaming] and [Browser Remote]). • If both communication settings are deleted, the connection setting itself will be reset and will appear as [Unspecified].
  • Page 150 Configuring Connection Settings Configuring TCP/IPv6 Settings If in the wizard you selected [Enable] to use IPv6 settings, change the settings as necessary after completing the wizard. 1 After step 3 in the previous procedure, select [TCP/IPv6] > [TCP/IPv6 Settings] > [Enable]. •...
  • Page 151 Configuring Connection Settings Individual settings available for manual change (function settings) Menu item Setting options and additional information [FTP Transfer] [Destination Server] [Server]*, [Port No.]* [User Name/Password] [User Name]*, [Password]* [Destination Folder]* [Dest. Folder Structure] [Default], [Camera] [Overwrite Files] [Skip], [Save As (New Name)], [Overwrite] Determines how to deal with files to be transferred when files with the same name already exists in the destination folder.
  • Page 152 Checking the Network’s Status Checking the Network’s Status Unless you selected to configure a connection setting offline (without connecting to the network), immediately after configuring a new connection setting, the camera will connect to the network automatically and the selected function settings will be activated. The icons displayed on the screen will indicate the type of network selected and the connection status.
  • Page 153 FTP File Transfer FTP File Transfer In MEDIA mode, you can transfer clips from the camera to another device connected to the network, using the FTP protocol. The following explanations assume that the FTP server is on, ready and correctly configured. Transferring a Single Clip 1 Connect the camera to the desired network and activate the network functions ( 140).
  • Page 154 * This can be a dedicated video transfer device or decoder software on a computer. For details about compatible decoders, please visit your local Canon website. Configuration of video streamed over IP Main recording video configuration...
  • Page 155 IP Streaming • Opening the card compartment cover and removing a card while IP streaming is activated may cause brief stops in the streamed video and audio. • IP streaming cannot be used in the following cases: - When using a recording mode other than [Normal Recording]. - When [2nd Card Rec Functions] is set to an option other than [Off].
  • Page 156 Web browser* of any network device** connected to the same network. * A Web browser that supports JavaScript and is enabled to accept cookies is required. ** For details about compatible devices, operating systems, Web browsers, etc., please visit your local Canon website. Preparations on the Camera 1 Connect the camera to the desired network and activate the network functions (A 140).
  • Page 157 Browser Remote: Controlling the Camera from a Network Device 7 When you have finished using Browser Remote, select [ ] > [Log Out] on the Browser Remote screen to end the application. NOTES • Depending on the network used and the connection performance, you may notice delays in the refreshing of the live view image and other settings.
  • Page 158 Browser Remote: Controlling the Camera from a Network Device Using Browser Remote The Browser Remote application has two screens: [v] the main screen for controlling the camera remotely in recording mode and [ ] the metadata screen. The screen displayed will be different depending on the user information used to log in.
  • Page 159 Browser Remote: Controlling the Camera from a Network Device 7 Live view screen Shows the camera’s live view image. 8 Browser Remote screen selection ([Full] user only) Touch [v] to open the main remote recording screen, or [ ] to open the metadata screen (A 161). 9 ISO speed/Gain mode (automatic/manual) 10 Shutter mode 11 Aperture mode (automatic/manual)
  • Page 160 Browser Remote: Controlling the Camera from a Network Device 32 [Focus Guide] button Touch to display the focus guide (A 70). 33 [ONE-SHOT AF] button / [AF Lock] button When the AF mode (A 160) is set to [One-Shot], touch to focus automatically once. When the AF mode is set to [Continuous] or [AF-Boosted MF], touch to lock the current focus.
  • Page 161 Browser Remote: Controlling the Camera from a Network Device Browser Remote Settings Tab 1 Language selection Changes the language used for controls in the [ ] (metadata input) screen and for error messages. Still, most of the application’s controls emulate physical buttons on the camera and appear in English only, regardless of the language selected.
  • Page 162 Browser Remote: Controlling the Camera from a Network Device Activate] button • Touch the button to give priority to the metadata entered in this screen when recording clips. This overrides the metadata read from a file saved on the SD card. •...
  • Page 163 Additional Information Menu Options For details about how to select an item, refer to Using the Menus (A 23). For details about each function, see the reference page or the explanation accompanying the menu entry. Setting options in boldface indicate default values.
  • Page 164 Menu Options Menu item Setting options and additional information [AWB Response] [High], [Normal], [Low] (A 68) [C. Temp. Increment] [Mired], [Kelvin] (A 66) [AF Mode] [One Shot], [AF-Boosted MF], [Continuous] (A 69) [AF Frame] [Large], [Small] (A 75) [AF Frame Position] [Selectable], [Center Frame] [AF Speed] –7 to +2 (0)
  • Page 165 Menu Options [Æ Recording/Media Setup] menu Menu item Setting options and additional information [Initialize Media] [SD Card A], [SD Card B] (A 32) [Sensor Mode] [Super 35mm], [Super 16mm (Cropped)] (A 53) [System Frequency] [59.94 Hz], [50.00 Hz] , [24.00 Hz] (A 53) [Main Rec Format] [XF-AVC YCC422 10 bit], [MP4(HEVC) YCC422 10 bit], [MP4(HEVC) YCC420 10 bit],...
  • Page 166 [A] to [Z] (A 37) [Reel Number], [Clip Number] [001] to [999] [User Defined] User defined string up to 5 characters ([CANON]) (A 38) [Scene], [Take] Scene description up to 16 characters / Take description up to 8 characters (A 99) [Lens Squeeze] [x2.0], [x1.3], [Off]...
  • Page 167 Menu Options Menu item Setting options and additional information [Built-in Mic Att.] [On], [Off] (A 92) [Built-in Mic Low Cut] [Off], [LC1], [LC2] (A 92) [1 kHz Tone] [–12 dB], [–18 dB], [–20 dB], [Off] (A 94) [Headphone Volume] [Off], 1 to 15 (8) (A 122) [Speaker Volume] [Off], 1 to 15 (8)
  • Page 168 –7.5 dB to +7.5 dB in 0.5 dB intervals (–3.0 dB) (A 132) [Range: HDMI] (A 130) [During Canon Log Output] [Full Range Priority], [Narrow Range] [During HDR Output] [Full Range Priority], [Narrow Range] The default value depends on the country/region of purchase.
  • Page 169 Menu Options [A Assistance Functions] menu Menu item Setting options and additional information [Focus Guide] [On], [Off] (A 70) [Focus Guide 2nd Frame] [On], [Off] [Peaking: LCD], [Peaking: HDMI] [On], [Off] (A 71) [Peaking] [Peaking 1], [Peaking 2] [Peaking 1] [Color] [White], [Red], [Yellow], [Blue] [Gain]...
  • Page 170 Menu Options Menu item Setting options and additional information [Safe Area Marker] [Yellow], [Blue], [Green], [Red], [Black], [Gray], [White], [Mask 75%], [Mask 50%], (A 81) [Mask 25%], [Off] [Basis for Marker Safe Area] [Whole Picture], [Selected Aspect Marker] [Marker Safe Area %] [80% (Side Length)], [88% (Side Length)], [90% (Side Length)], [93% (Side Length)], [95% (Side Length)], [80% (Area)], [90% (Area)], [92.5% (Area)], [95% (Area)] [User Marker 1], [User Marker 2]...
  • Page 171 Menu Options [B System Setup] menu Menu item Setting options and additional information [Reset] [All Settings], [Assignable Buttons] These settings reset the following camera settings to default values/settings. [All Settings]: All the camera’s settings except for the hour meter. [Assignable Buttons]: Only the assignable buttons. [Transfer Menu/ (A 117) [Save]...
  • Page 172 Menu Options Menu item Setting options and additional information [Assign. Button 4 as REC] [On], [Off] (A 105) When this setting is set to [On], assignable button 4's function changes to [REC] and cannot be changed. This turns assignable button 4 to an alternative REC button. [Onscreen REC/STBY Button] [On], [Off] (A 41)
  • Page 173 Displaying the Status Screens Displaying the Status Screens You can use the status screens to check the camera’s various settings. You can also output the status screens to an external monitor. 1 Set an assignable button to [Status] (A 105). 2 Press the assignable button to open the status screens.
  • Page 174 Displaying the Status Screens [/] status screens (CAMERA mode only) 1 Custom picture file name (A 109) 2 Custom picture settings (A 113)
  • Page 175 Displaying the Status Screens [v Camera Setup] status screens (CAMERA mode only) 1 ISO speed/Gain (A 59) 7 In-camera lens correction (A 28) Selected mode, extended range, ISO increment, Peripheral illumination, chromatic aberration, lens gain increment and limit for automatic adjustment diffraction and distortion aberration 2 Aperture (A 62) 8 Anamorphic correction (A 103)
  • Page 176 Displaying the Status Screens Assignable Buttons] status screens Current functions of the assignable buttons (A 105) 1 On the camera’s body 2 On the RC-V100 Remote Controller...
  • Page 177 Displaying the Status Screens [¡ Audio Setup] status screens CAMERA mode: MEDIA mode: 1 Audio source input, audio level adjustment mode 4 Audio configuration used for recording on the and audio level indicator for each audio channel cards (A 87) and for output (HDMI OUT terminal, A 133) (A 87) 2 Audio channels output from the headphones/...
  • Page 178 Displaying the Status Screens [B System Setup] status screens 1 HDMI OUT terminal status (A 128): Signal type Information about the Canon battery pack (A 17) (HDMI/DVI), video output, frame rate, audio 5 Remaining recording time output 6 Remaining charge level (visual bar)
  • Page 179 Displaying the Status Screens [Æ Recording/Media Setup] status screens Pages " to & are displayed only in CAMERA mode. 1 Information about SD cards A and B 8 Recording mode (A 35) Visual bar, total capacity, used (recorded) space, 9 Second card recording function (A 35) approximate available recording time, speed class 10 XF-AVC clip numbering (A 37) and number of remaining photos (SD card B only)
  • Page 180 Displaying the Status Screens Network Settings] status screens Network connection used (A 140) 1 Network functions activated/deactivated 3 Communication settings of the primary/ 2 Connection setting in use secondary network Connection setting (SET) number, name, Network type, connection method, SSID (network communication settings (primary network and name), Wi-Fi channel, authentication, encryption secondary network) and function settings...
  • Page 181 Displaying the Status Screens IP streaming settings (CAMERA mode only, A 143) 1 IP streaming activated/deactivated (A 154) 4 RTSP user name required to control streaming 2 Streaming protocol and receiver settings sessions 3 Error correction settings 5 Streaming video configuration and audio channels Settings for Browser Remote (CAMERA mode only, A 144) 1 Port number (HTTP)
  • Page 182 Troubleshooting Troubleshooting If you have a problem with your camera, refer to this section. Consult your dealer or a Canon Service Center if the problem persists. Power source The camera will not turn on or it turns off by itself.
  • Page 183 - The camera may become hot after using it continuously for long periods of time; this is not a malfunction. If the camera becomes unusually hot or it becomes hot after using it only for a short while, it may indicate a problem with the camera. Consult a Canon Service Center. Playback...
  • Page 184 The ND filter indicator appears in red or as [- -] on the screen, and the ND filter indicators on the RC-V100 Remote Controller are flashing. - The ND filter mechanism may not be working properly. Consult a Canon Service Center. Picture and Sound There is no picture or sound from an external monitor/recorder connected to the HDMI OUT terminal - Disconnect the HDMI cable and then restore the connection or turn the camera off and then on again.
  • Page 185 Troubleshooting Audio is not recorded. - The audio input source is not correctly selected (A 89) or a microphone is not connected to the selected terminal. - When using the INPUT 1/INPUT 2 terminals, make sure you are using a mini XLR connector. When using the MIC terminal, make sure you are using a condenser microphone with a ∅...
  • Page 186 Cannot connect with an access point. Cannot establish a Camera Access Point connection with a network device. - Visit your local Canon website and check that the model of Wi-Fi adapter used (commercially available) was tested for use with this camera.
  • Page 187 Troubleshooting Precautions Regarding Wi-Fi Networks When using a Wi-Fi network, try the following corrective actions if the transmission rate drops, the connection is lost, or other problems occur. Positioning a network device (access point, mobile device, etc.) - When using a Wi-Fi network indoors, place the network device in the same room as the camera. - Place the network device in an open, unobstructed location, where people or objects do not come between it and the camera.
  • Page 188 - You attached a battery pack that is not recommended by Canon for use with this camera. - If you are using a battery pack recommended by Canon for use with this camera, there may be a problem with the battery pack or camera.
  • Page 189 Troubleshooting If you change this setting, you will not be able to use the current Look File. - The Look File’s adjustments to the image quality cannot be applied because the [Gamma/Color Space], [HLG Color], [Over 100%] settings in the custom picture file are different from those registered with the Look File. Change these settings or register a different Look File.
  • Page 190 * Corrupted file control information cannot be recovered. Cards or XF-AVC clips with corrupted file control information cannot be read by the software (Canon XF Utility or plugins for NLE applications). SD Card A SD Card B / SD Card B SD Card A Switched - This message appears when you use the SLOT SELECT button to switch the card slot in use or recording continued from one card to the other.
  • Page 191 - Check that the Ethernet adapter (commercially available) is correctly attached to the camera (A 139). - Visit your local Canon website and check that the model of Ethernet adapter used (commercially available) was tested for use with this camera.
  • Page 192 Troubleshooting No address assigned by the DHCP server. - The camera is set to automatic IP address assignment. If the selected network does not use a DHCP server, change the camera’s IP address assignment to [Manual Setting] and configure the IP address (A 147). - Check the DNS server.
  • Page 193 Troubleshooting Unable to connect to FTP server. - Enter the correct address for the FTP server in the camera’s network settings. - The authentication method is set to [Open System] but the encryption key is incorrect. Check uppercase/lowercase letters and other characters and make sure to enter the correct encryption key. - The default port number is 21 (or 22 for SFTP transfers).
  • Page 194 If any of the above should get into the camera it may damage the camera and/or the lens. Consult a Canon Service Center as soon as possible. • Be careful to avoid dust and dirt particles accumulating on the lens or entering the camera. When you finish using the camera, make sure to attach the body cap to the lens mount and the lens cap and dust cap to the lens.
  • Page 195 Recording Media • Periodically backing up recordings from the cards used to a computer is recommended. Data may be corrupted or lost due to defects or exposure to static electricity. Canon shall not be liable for lost or corrupted data.
  • Page 196 Maintenance/Others Maintenance/Others Condensation Moving the camera rapidly between hot and cold temperatures may cause condensation (water droplets) to form on its internal surfaces. Stop using the camera if condensation is detected. Continued use may damage the camera. Condensation may form in the following cases: •...
  • Page 197 An IFC-40AB III or IFC-150AB III Interface Cable (sold separately) is required to connect the receiver to this camera. For our customers in the USA: Call or visit your local retailer/dealer for genuine Canon video accessories. You can also obtain genuine accessories for your Canon camera by calling: 1-800-828-4040, Canon U.S.A.
  • Page 198 Specifications Specifications System • Recording System Clips: XF-AVC Video compression: MPEG-4 AVC / H.264 Audio format: Linear PCM, 24 bit, 48 kHz, 4 channels File format: Video compression: H.265 / HEVC, MPEG-4 AVC / H.264 Audio format: Linear PCM, 16 bit, 48 kHz, 2 channels MPEG-2 AAC-LC, 16 bit, 48 kHz, 2 channels File format: WAV (audio files for slow &...
  • Page 199 Canon RF lens mount compatible with Canon RF and EF lenses One of the available Canon EF-EOS R Mount Adapters is required for using EF lenses (including EF-S and EF Cinema lenses). • Approximate lens multiplication factor (for 35mm equivalent focal length) [Super 35mm] sensor mode: 1.460 when the horizontal resolution is 4096 or 2048...
  • Page 200 Specifications • Focus Manual focus, autofocus (one-shot AF, AF-boosted MF, continuous AF, Face AF); face detection and subject tracking available AF type: Dual Pixel CMOS AF, contrast-detection AF • Sensor Sensitivity (ISO 800, 2000 lux, 89.9% reflection) 59.94 Hz: F10 (2048x1080 at 59.94P), F14 (1920x1080 at 29.97P) 50.00 Hz: F11 (2048x1080 at 50.00P), F16 (1920x1080 at 25.00P) •...
  • Page 201 Specifications Power/Others • Power Supply (rated) 14.4 V DC (battery pack), 24.0 V DC (DC IN) • Power Consumption and Approximate Continuous Recording Times Values are listed in the following order: Power consumption / Continuous recording time with a BP-A30 battery / Continuous recording time with a BP-A60 battery.
  • Page 202 Specifications BP-A30 Battery Pack • Battery Type: Rechargeable lithium ion battery, compatible with Intelligent System • Rated Voltage: 14.4 V DC • Rated Battery Capacity: 3,100 mAh / 45 Wh • Operating Temperature: 0 – 40 °C (32 – 104 °F) •...
  • Page 203 Except for the RF600mm F11 IS STM, RF800mm F11 IS STM. One of the available Canon EF-EOS R Mount Adapters is required for using EF lenses (including EF-S and EF Cinema lenses). Only lenses with the PZ-E1 Power Zoom Adapter attached.
  • Page 204 – – focus guide One of the available Canon EF-EOS R Mount Adapters is required for using EF lenses (including EF-S and EF Cinema lenses). • Manual focus lenses compatible with focus guide: CN-E14mm T3.1 L F CN-E50mm T1.3 L F CN-E20mm T1.5 L F...
  • Page 205 Reference Tables Reference Tables Approximate Recording Time on a Card Main recording format and bit rate 32 GB 128 GB 512 GB 410 Mbps 9 min. 39 min. 156 min. 310 Mbps 12 min. 51 min. 207 min. XF-AVC 260 Mbps 15 min.
  • Page 206 Appendix: Camera Dimensions Appendix: Camera Dimensions Unless indicated with the " (inch) mark, all units are in mm. represents the depth of a hole or socket. 1/4" 35.15 Front Left Lens attachment plane 25.27 90.66 98.2 61.8 115.92 Bottom 1/4" 8.9 (x 2) ∅...
  • Page 207 Appendix: Camera Dimensions Camera with handle unit and microphone holder 259.88 71.8 161.68 80.53 90.50 Handle unit 92.05 167.01 115.68 78.95 26.2 1/4" screw...
  • Page 208 (gamma curves) .....113 Canon XF Utility (download) ....134 Card volume label .
  • Page 209 Face detection ......75 Image stabilizer ......78 False color .
  • Page 210 Sensitivity / Attenuator / Low cut filter Canon battery packs ....17 ......92 Checking power levels/remaining battery charge .
  • Page 211 Second card recording functions ... .35 Secure FTP (SFTP, FTPS) ....141 WAV audio files ..... . . 100 Sensor mode .
  • Page 212 Trademark Acknowledgements • SD, SDHC and SDXC Logos are trademarks of SD-3C, LLC. • Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. • Apple, macOS are trademarks of Apple Inc., registered in the U.S. and other countries. •...
  • Page 213 B. If the Products are defective as a result of leaking batteries, sand, dirt or water damage; C. If defects or damages are caused by the use of parts or supplies (other than those sold by Canon USA) that cause damage to the Products or that cause abnormally frequent service calls or service problems;...
  • Page 214 B. If the Products are defective as a result of leaking batteries, sand, dirt or water damage; C. If defects or damages are caused by the use of parts or supplies (other than those sold by Canon Canada) that cause damage to the Products or that cause abnormally frequent service calls or service problems;...
  • Page 215 Canon Inc. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan Canon Europa N.V. Bovenkerkerweg 59, 1185 XB Amstelveen, The Netherlands http://www.canon-europe.com The information in this document is verified as of September 2020. Subject to change without notice. Visit your local Canon website to download the latest version.

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